Discussion: Different art media
Apr. 13th, 2018 10:19 pmSo, a thing I thought about just now, after having done the recent challenge in pastels...
What is your preferred medium of choice? What exactly do you like about it? Is it special techniques or effects that other media don't provide? Is it the haptic experience? Is it the cost? Childhood experiences? Art from artists you admire? The "comfort zone" due to practice?
What brings you to push yourself into trying a less practised/or new medium? (Is it a mood, a character/situation, just variety, inspiration from other artists using that medium ...)
Do you ever play around with a mix of traditional and digital media?
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For example, I just did a smallish pastel drawing (will post tomorrow when I have good light for taking a photo) because I miss working with colour. The format isn't really great for using pastels or even pastel pencils because the medium just isn't so great for detail work. (I think I remember a post by Alby Mangroves, for example, where she had a photo of her works on huge formats. There you can put in detail more easily).
Yesterday I tried using coloured pencils (which I rediscovered for a challenge piece this week) and found that things I do in other media don't work with them). It got a tad frustrating and I wished I had done the art on watercolour paper so I could used those instead.
Media I use (roughly in order of frequence): pencil, watercolour, pastels, ink/felt pens and the like
I'm just really interested in your experiences with or feelings about the different media we have available for drawing.
What is your preferred medium of choice? What exactly do you like about it? Is it special techniques or effects that other media don't provide? Is it the haptic experience? Is it the cost? Childhood experiences? Art from artists you admire? The "comfort zone" due to practice?
What brings you to push yourself into trying a less practised/or new medium? (Is it a mood, a character/situation, just variety, inspiration from other artists using that medium ...)
Do you ever play around with a mix of traditional and digital media?
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For example, I just did a smallish pastel drawing (will post tomorrow when I have good light for taking a photo) because I miss working with colour. The format isn't really great for using pastels or even pastel pencils because the medium just isn't so great for detail work. (I think I remember a post by Alby Mangroves, for example, where she had a photo of her works on huge formats. There you can put in detail more easily).
Yesterday I tried using coloured pencils (which I rediscovered for a challenge piece this week) and found that things I do in other media don't work with them). It got a tad frustrating and I wished I had done the art on watercolour paper so I could used those instead.
Media I use (roughly in order of frequence): pencil, watercolour, pastels, ink/felt pens and the like
I'm just really interested in your experiences with or feelings about the different media we have available for drawing.
no subject
Date: 2018-04-14 01:19 am (UTC)Every now and then I enjoy doing a coloured pencil drawing, there is something very satisfying about the process, but I'm generally not very happy with the result.
I find traditional pencils a bit more natural than digital ones but usually can't be bothered with the hassle of scanning them in so just do my pencils digitally.
no subject
Date: 2018-04-14 03:16 am (UTC)no subject
Date: 2018-04-17 04:55 am (UTC)nods I use them for that too, sometimes. It looks a lot prettier than doing gradients etc.
no subject
Date: 2018-04-14 04:14 am (UTC)no subject
Date: 2018-04-17 04:50 am (UTC)Thank you!
no subject
Date: 2018-04-14 12:45 pm (UTC)no subject
Date: 2018-04-17 04:49 am (UTC)Yes my few forays into traditional media generally involve pencils or acrylic paints. I love the look of watercolours but don't have the nerve.
Warning: long and a bit overshared
Date: 2018-04-14 04:13 am (UTC)I used to love drawing (with colored pencils and gel pens) on shrink plastic, and turning the results into fridge magnets or holiday ornaments or pendants. I loved the small size and saturated detail of the results.
My eyesight got worse, though, around the time I gained more access to computer tech. My boyfriend gave me a scanner, which is the Best Thing Ever. Still, I can't draw on shrink plastic or with pencils anymore -- I simply can't see the lines. The strong outline in my current art is done in marker, simply because I can actually see it. I'd rather use something finer, but my eyesight prohibits it.
So now I draw with paper and marker, and scan into the computer where I correct and color using a MS paint clone. (I really should learn Photoshop.) I can still make fridge magnets but I haven't in awhile; what I have made a lot of are stickers, which satisfy my artistic urges towards small detailed artworks and are easier to give away.
My eyesight is still deteriorating, though. I hope I don't have to go to crayons next, she said with a half smile.
Re: Warning: long and a bit overshared
Date: 2018-04-14 04:52 am (UTC)Honestly, for what you want I think Photoshop is too unwieldy and excessively complex - it also tends to pack a lot of small detail into the screen, re tools, icons, etc. I vastly prefer my old PS 5.0 version but it only runs on my old PC now and both their days are numbered! There are probably other programs out there midway between MSPaint and PS that’d suit you better. Maybe someone else can recommend something? I looked into options recently but the only other alternative I’ve tried is Rebelle2, which might work okay as long as you have a big monitor. You can certainly scan art then work on it there. Rebelle3 is just out, I think.
Re: Warning: long and a bit overshared
Date: 2018-04-17 03:02 am (UTC)Re: Warning: long and a bit overshared
Date: 2018-04-14 01:12 pm (UTC)Sorry about your eyesight, but it sounds like you found some ways to work around it. The bold lines actually make for a very distinctive style IMO.
Re: Warning: long and a bit overshared
Date: 2018-04-17 03:03 am (UTC)Shrink plastic is awesome, and fortunately I can still print my art onto it with the printer I was given.
Re: Warning: long and a bit overshared
Date: 2018-04-14 09:00 pm (UTC)What is causing your declining vision?
Re: Warning: long and a bit overshared
Date: 2018-04-17 03:04 am (UTC)It is scary, though. I hear you, and thank you for reaching out to me.
Re: Warning: long and a bit overshared
Date: 2018-04-17 08:29 am (UTC)Re: Warning: long and a bit overshared
Date: 2018-04-14 10:24 pm (UTC)And I'm so glad that despite challenges with your eyesight, you've found ways to consistently produce lovely, creative work that we're all enjoying at the community. :)
Re: Warning: long and a bit overshared
Date: 2018-04-17 03:05 am (UTC)no subject
Date: 2018-04-14 04:34 am (UTC)These days I’m always drawn to traditional media first, mostly watercolour or gouache, but as I almost never use the finished pic in RL I often tidy up details digitally, or add a layer with a background painted separately, etc. I’m not a purist about a pic that’s in traditional media having to be solely done that way - I’ll go with whatever works. For occasional real-world gifts or xmas cards there’s no undo button, of course, so I have to do all of those traditionally and take more care about the borders abd details. Gouache is very handy for RL edits :)
I want to get better at traditional art techniques but I’ll never be selling it so it’s basically about having fun. Niffer had a good tip as well, that stopping a trad watercolour and finishing it off digitally can help stop you overworking it, which is a fault of mine. I’m a bit of a control freak so my style’s never going to be loose/rough/free-flowing, and I tend towards overworking details. But my greatest satisfaction at present is when I manage a watercolour with okay luminosity and shading without messing it up and needing to muddy it with corrections, so I don’t want to use the “I’ll fix it in post” (post-production) thing so much that I stop learning how to get it mostly right first time. I just can’t see the point in not using digital techniques where necessary, or where they can add something different or special.
With media, I found watercolour pencils disappointing - maybe mine weren’t such a good brand (Derwent Academy), dunno, but I prefer not to still see all the pencil marks, also I should swatch them out to be clearer about the real colours. I like watercolours and gouache a lot. I discovered inking with markers and black paint/ink in Inktober but I love colour and am lazy about practising drawing so my fallback system is to digitally collage a pic then use that as the ref to draw from, then to paint that. I used to use oils many years ago but can’t be arsed now as I have no studio and they’re smelly and messy. Pastels also don’t interest me due to the mess factor. Have tried copic markers but I have limited colours and found them hard to blend - don’t think they suit my style as I’m not really into lineart. I love the ink-resist technique I learned on Skillshare - more about that soon! :)
no subject
Date: 2018-04-14 01:20 pm (UTC)I’m a bit of a control freak so my style’s never going to be loose/rough/free-flowing, and I tend towards overworking details.
sounds familiar ;-)
Re watercolour pencils, I found that they mostly work if I use them only sideways for shading larger areas (instead of keeping them upright), that way you don't get the distinctive lines, but this doesn't work for really large areas you want coloured with an even layer. I sometimes take a wet brushtip to the pen-tip and take colour off that way (esp. if it's a colour I don't have in a pan). But mostly I use them for details (like I would 'normal' coloured pencils) on a watercolour painting done with the colour from pans. Sometimes I don't even put a wash of water over those details, esp. if they are small. Don't know if that helps you.
I'm looking forward to your skillshare review!
no subject
Date: 2018-04-14 09:04 pm (UTC)I've got some Inktense watercolour pencils, the colours are really gorgeous. I don't know if there's a way of using them that means you lose all pencil texture, I haven't used them that much yet, and I actually quite like that graininess thet you get with pencil.
no subject
Date: 2018-04-14 10:32 pm (UTC)I also found watercolor pencils to have a lot of limitations, but it was my stepping stone from pencil sketching to watercolour paints. So I guess it does have its uses, for those like myself who need to get their feet wet before diving into ~scary~ media.
no subject
Date: 2018-04-14 08:21 pm (UTC)Then a couple of years ago I went back to re-learn traditional stuff. I painted a pig - a giant fibreglass sculpture for a trail in our town, and then discovered there are trails all over the country that anyone can enter designs for. So since then I've painted an otter, two bears, a lion, a hare and a giraffe, and am waiting for a giant bee to arrive in the next week or so. The giraffe was the hardest, being 2.5m tall... Painting is done in acrylics, though I can't say I'm exactly good with them.
I've also started a sketchbooking course (been doing it for a few terms now) and we are using all kinds of traditional media, and mixing them up - watercolour or gouache over acrylic, lots of experimenting, which has been very challenging! I admit, I'm still most comfortable with a 2B pencil. And digital is still my go to, especially if I need to do something quick, because the ability to undo and to draw in layers is makes life SO much easier.
So why I'm trying to do an actual acrylic painting for an upcoming convention I don't know. Heh. Though maybe painting all these giant animal sculptures gave me a false sense of confidence LOL
Yeah, basically I'm still learning, on all fronts.
no subject
Date: 2018-04-14 11:00 pm (UTC)For myself, I started out with traditional media in high school, using lead pencils, fine-tipped ink pen, oil pastels and acrylics, and that's all I stuck to for many years after. I thought that I was great at landscapes, but (in my eyes) an utter failure at portraying people, so I basically stopped attempting them.
Years later when I discovered fandom, I'd been teaching myself Photoshop, so naturally my very first foray into fanart was Photo-manipulations, which I enjoyed profusely. They are so bad, looking back, but I still have them up at my website because I'm proud of myself for taking that step out of my comfort zone and publishing my work online.
A year or two later, having gotten so many positive, encouraging responses to my Manips, I one day attempted a sketched portrait, which I scanned and colour-tinted in Photoshop. It came out amazing (to me) compared to the portraits I'd tried in high school. I guess somehow my eye for detail and proportion had gotten more developed through honing my skills producing Manips.
And that's when I slowly began transitioning from digital fanart to traditional media. However, I still do some playing around and correcting in Photoshop up to today.
My foray into any new traditional media (chalk pastels, watercolour pencils, watercolour paints, coloured inks) since then has been directly inspired by fanart and artists in fandom.
(I could go on and on with this topic, but will close here for now. *g*)
no subject
Date: 2018-04-17 08:04 am (UTC)With digital you still have a lot of brushes you can chose and you can achieve very different looks, so I use different styles depending on the mood.
As for traditional I sometimes use cheap ink, cheap watercolor pencils and Copics, I like the effect of Copics and Laovaan is a great inspiration for what you can achieve with them.
If I really like something I scan it and fix it.
I love the textures of traditional, I wish I was able to recreate them digitally...
no subject
Date: 2018-04-17 02:48 pm (UTC)My workflow of choice is my ipad pro (first gen) and apple pencil. It goes everywhere with me and I use it for art, writing, and reading. All in one! I've tried a number of art apps and my current favorite is Procreate - the brushes you can get for it are amazing, mostly either free or large packs of them for between $3-$10 on places like gumroads, and it has a lot of the same layers/mode etc functionality of Photoshop. Plus it exports to PSD files, and it actually records every brush stroke you made - you can export a time lapse video of the art when you're done. Since my internet connection is too slow for streaming, at least I can pop time lapse videos up on my youtube. ^_^
no subject
Date: 2018-04-22 06:32 pm (UTC)