mekare: Firefly: happy Kaylee with a colourful umbrella (Kaylee)
[personal profile] mekare posting in [community profile] drawesome
I browsed through Kirsty Partridge‘s channel today and found this video (about a year old, length 11:39) which was very motivating and kept me nodding along.




In case you prefer reading to viewing, here are the 5 things in short:

1. There is nothing wrong with using reference photos.
2. Even really experienced artists make mistakes sometimes.
3. You don‘t need expensive art supplies to make good art.
4. There are lot os different ways to make a living as an artist.
5. You don‘t need to draw in a sketchbook to be a real artist.

Date: 2023-01-31 07:43 pm (UTC)
green_knight: (inktober)
From: [personal profile] green_knight
The first of his sketches I came across was the Langlois Bridge at Arles and it blew my mind. It uses precise lines for the mechanical bits, gestures for people/animals and trees and weird marks for everything else, and he's using such an expressive variety - dots, straight lines, curves, different directions and line weights, and it's such a masterful combination of precision and suggestion.

And I just fell in love with it. I copied a fair part of this image just to get a feel for how and where he made his marks, studied several other sketches, and started to sketch trees in this style before moving on to full scenes. It's very much about gestures and capturing the essence of features. (I have an example here) I'm still experimenting with the brushes I use - ideally I'll get one that gives me a bit more variety – but that was the first time I looked at a very complex image and actually had an idea of how to sketch it.

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