Challenge #51: The Falconer
Title: The Falconer
Artist:
yhlee
Rating: G
Fandom: Original Work
Characters/Pairings: The Falconer (I haven't given them a name yet)
Content Notes: I wanted to try a science fantasy Asian character portrait in Procreate and mess about with a Venetian-inspired mask.
Preview:

Art & process notes behind cut.

The actual piece!

Initial sketch - the mask and the figure are on separate layers so I could mess around with one without destroying the other. Separate colors are just to make them easy to process in my head.
So, remember the terribad series of watercolor sketches I did a while back around "fake Venetian masks"? Turns out it wasn't a waste of time after all.
I referenced Gold Belle Epoque for the mask in this piece, although I took a lot of liberties. Just browsing through Original Venice Shop is inspirational.

The final version of the color test. I messed around A LOT trying to find a color scheme that worked. So, I own that brown as a clothing color is one of my least favorite colors (my mom used to dress me in browns and beiges, UGH) and, left to my own devices, I would paint in red/gold/black/purple FOREVER, but c'mon, I have to branch out. Also, the character came into my head as the Falconer and I don't think falcons are purple. (Are they?)
I start playing with very very basic lighting as well because I realized a gold mask on tawny skin was going to...not be visible AT ALL unless I managed the lighting situation better. I also ended up going with a more desaturated tan for the face so that the saturated gold tones would "pop" more. And I ended up with bits of green as an accent color partly for the "cyber" factor (glowy light green reads "cyberpunk" to me, but maybe I'm weird) because I wanted to give this a science fantasy feel, and I was going to DIE of boredom if the whole thing was browns except the hair. (SORRY IF YOU LIKE BROWN, it's not you it's me.)

Starter lineart, which I clean up a bit as I go. I love Procreate's Inka brush - it has just the right amount of jagged roughness and character to it. I have seen BEAUTIFUL art with technical pen controlled lines but I want WILDNESS in my own work.
Also, you'll notice in the final piece that some of the lineart is tinted in various places - swear to God reading a tutorial by Tran Nguyen in an Imagine FX issue where she mentioned "keep colored lines instead of just black ones in mind as an option" was life-changing. Look, I am ROCK STONE STUPID at art. I need things explained to me in words of one syllable for them to stick. :p

Flat colors - I ended up separating the skin tones, hair/clothes, and mask so that shading would be less of a PITA. Sometimes if there's complicated braid (HI JEDAO), that goes on a layer of its own.

Here's the piece partway through the render - I've done a first pass here on the figure (face, hair, clothes in separate stages) but haven't yet touched the mask or background.
I added the fourth chain later. XD
Artist:
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Rating: G
Fandom: Original Work
Characters/Pairings: The Falconer (I haven't given them a name yet)
Content Notes: I wanted to try a science fantasy Asian character portrait in Procreate and mess about with a Venetian-inspired mask.
Preview:

Art & process notes behind cut.

The actual piece!

Initial sketch - the mask and the figure are on separate layers so I could mess around with one without destroying the other. Separate colors are just to make them easy to process in my head.
So, remember the terribad series of watercolor sketches I did a while back around "fake Venetian masks"? Turns out it wasn't a waste of time after all.
I referenced Gold Belle Epoque for the mask in this piece, although I took a lot of liberties. Just browsing through Original Venice Shop is inspirational.

The final version of the color test. I messed around A LOT trying to find a color scheme that worked. So, I own that brown as a clothing color is one of my least favorite colors (my mom used to dress me in browns and beiges, UGH) and, left to my own devices, I would paint in red/gold/black/purple FOREVER, but c'mon, I have to branch out. Also, the character came into my head as the Falconer and I don't think falcons are purple. (Are they?)
I start playing with very very basic lighting as well because I realized a gold mask on tawny skin was going to...not be visible AT ALL unless I managed the lighting situation better. I also ended up going with a more desaturated tan for the face so that the saturated gold tones would "pop" more. And I ended up with bits of green as an accent color partly for the "cyber" factor (glowy light green reads "cyberpunk" to me, but maybe I'm weird) because I wanted to give this a science fantasy feel, and I was going to DIE of boredom if the whole thing was browns except the hair. (SORRY IF YOU LIKE BROWN, it's not you it's me.)

Starter lineart, which I clean up a bit as I go. I love Procreate's Inka brush - it has just the right amount of jagged roughness and character to it. I have seen BEAUTIFUL art with technical pen controlled lines but I want WILDNESS in my own work.
Also, you'll notice in the final piece that some of the lineart is tinted in various places - swear to God reading a tutorial by Tran Nguyen in an Imagine FX issue where she mentioned "keep colored lines instead of just black ones in mind as an option" was life-changing. Look, I am ROCK STONE STUPID at art. I need things explained to me in words of one syllable for them to stick. :p

Flat colors - I ended up separating the skin tones, hair/clothes, and mask so that shading would be less of a PITA. Sometimes if there's complicated braid (HI JEDAO), that goes on a layer of its own.

Here's the piece partway through the render - I've done a first pass here on the figure (face, hair, clothes in separate stages) but haven't yet touched the mask or background.
I added the fourth chain later. XD
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How intriguing! Everything about this makes me want to know more about their story! (And seeing your process is interesting, thank you for sharing.) Beautiful!
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ETA: I was flailing so hard that I forgot to say how interesting it was to read about your creative process this time too. :D
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I have had some artists tell me that they plan EVERYTHING out in advance but I always end up changing things on the fly! *sweatdrop* At least digital makes that easy. For things like doing a color test...I think an experienced artist would be faster at homing in on a good color scheme. (I spent like an hour on the color scheme layer before landing at something that made me happy.) I personally struggle with color, so taking the extra time really helps me before I commit to a thing. I think my analogy here is with composing (I compose neoclassical/orchestral music as a hobby), where I have a LOT more experience - I can very rapidly rule out certain harmonic progressions that don't work for what I'm doing or go very quickly through combinatorial possibilities because I have that knowledge base. With art, I'm still learning, so I'm correspondingly slower and instead of "intuitively" doing things like picking a palette, I end up scribbling down colors to see if they work until I get something good. XD Fortunately, for a hobby that's okay. XD
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You have no idea how salty I am that being a glasses-wearer makes wearing even cheap knockoff Venetian-style masks sort of a pain. XD (I bought a couple cheap ones for reference at a Renfaire once.)
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I struggle with color A LOT - learning (from
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I am not the biggest fan of neutrals like brown as a main colour scheme, but you really made it work well when paired with the green and gold highlights. :D
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this picture is worth 10,000 words at least. The details and layerz and personality in her face and pose! I want to talk to her! I hpe she sould delign to talk to me!
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Thank you for spending the time sharing all these details with me! It's one of my favorite things to find out how other people do things. :) For me re: coloring, I kinda just... color, without preparation, but I don't know if it means that I do it intuitively or if I'm simply going to like the end result even if the color palette is "objectively" weird. I tend to love weird color combinations even in real life, not just in art, so it might be the latter. ;D And I'm honestly in awe that you're a composer, as someone who doesn't even have any basic idea about making music. It sounds so complicated and super cool, and completely nowhere near my talents. :D
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Out of scope for this comm, but if you ever stop by my DW, I'm always happy to talk shop about composing. :3 (You're welcome to drop a comment on any public post, I'm easy.)
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